The graph below illustrates the percentage of horror films that were made in any one year and went on to be broadcast on television at least once between 20. The proportion of horror films broadcast on international television has gradually increased over the last four years. This meant that I was able to look at how many of those films were broadcast on television over the five-year period I studied. What percentage of horror movies received a television broadcast?ДЄs part of the research I conducted for another section of the Horror Report, I built up a database of all horror movies ever made. The most frequently-screened film during this period was Resident Evil: Apocalypse, which received a whopping 866 screenings. However, some films were broadcast far more often than others. The dataset included 2,907 horror movies, with each receiving an average of just over 29 screenings around the world during the period studied. What are the most frequently broadcast horror movies? This huge amount of data was enough for me to get an insight into what types of horror films perform well on television channels around the world. See the notes at the end of this article for more detail on the dataset. ETS provided me with a dataset of 84,890 horror film screenings in a five-year period (2011-15), across 442 TV channels in 36 countries. You can learn more and grab your own copy at /horrorreportДЄs part of the Horror Report work, I teamed up with Essential Television Statistics, which tracks broadcasts of feature films around the world. The final result is a 200+ page report into all aspects of horror movies. I recently looked at this topic in relation to horror movies.В The research was part of an eighteen-month project I conducted studying all aspects of horror movies. DVDs and Blu-Ray).Д®ven if itвЂ™s not possible to get the granularВ level of detail we are used to from cinemas, filmmakers should do all they can to understand the tastes and desires of televisionВ broadcasters.

iTunes and Netflix) and greater even than Home Entertainment revenues (i.e. cinemas), greater than all the money earned via video on demand platforms (i.e. This means that the total amount paid by broadcasters to licence movies is greater than the amount filmmakers earn from the theatrical release (i.e. Few fantasiseВ about their movieвЂ™s first ever television broadcast.Дespite this, television is the largest source of revenue for movies. When new filmmakers think about their movie reaching audiences, they tend to picture its cinema release, or maybe what it will look like when it hits DVD shelves.

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